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Senin, 30 Mei 2011

Free Ebook Money Mischief: Episodes in Monetary History, by Milton Friedman

Free Ebook Money Mischief: Episodes in Monetary History, by Milton Friedman

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Money Mischief: Episodes in Monetary History, by Milton Friedman

Money Mischief: Episodes in Monetary History, by Milton Friedman


Money Mischief: Episodes in Monetary History, by Milton Friedman


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Money Mischief: Episodes in Monetary History, by Milton Friedman

About the Author

MILTON FRIEDMAN (1912–2006), Nobel laureate economist and former presidential adviser, was the author of a number of books, including Capitalism and Freedom and Tyranny of the Status Quo, also written with his wife, Rose Friedman (1910–2009).

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Product details

Series: Harvest Book

Paperback: 300 pages

Publisher: Mariner Books; First edition (March 31, 1994)

Language: English

ISBN-10: 015661930X

ISBN-13: 978-0156619301

Product Dimensions:

5.3 x 0.8 x 7.9 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

109 customer reviews

Amazon Best Sellers Rank:

#243,303 in Books (See Top 100 in Books)

Friedman is perhaps best know to the general public for his vigorous defense of free market economics and limited government political philosophy. Within the academic world, however, Friedman is known for his economic theory of monetarism. Here Friedman again assumes the role of popular educator, but now does so to explain the nature and importance of currency. Friedman challenges the way most people think of money, indeed destroys some things most would take for granted. Money is, first and foremost, a social construct, and the value and usefulness of money can be enhanced or eroded as people gain or lose trust in a currency. Most of the book is a straightforward explanation of the nature of currency and the history of money - particularly in the United States. But Friedman does deviate from this basic purpose for a single chapter as he delves into some of the nitty gritty details of monetary economics. It's a chapter that, by his own admission, can and perhaps should be skipped by those lacking a firm grasp of economics, though its inclusion is worthy for those with some background in economics who still retain illusions about the nature of money.

After having read the reviews, I was looking forward to a great classic book. I was somewhat underwhelmed. Lot of story telling.. full of jargon.. historical events and concepts did not seem to weave in coherently. I got through but as I said.. was underwhelmed. Could have skipped this one :)

Broadly an interesting and educational book about money as economists see it. Unfortunately, this book spends far too much time discussing bi-metalism and the role of silver, something that feels, to the modern reader, dated and dull.

Milton Friedman covers a number of interesting episodes of monetary history in this book. The episode about the bimetallic money system the U.S. had until the 1870s is really fascinating. Also the discussion of inflation and the incentive the government may have to use inflation to finance spending is very relevant to our current day problems of growing national debt and federal budget deficit. I highly recommend this book to anyone who wants to learn more about money and its history.

I am a beginning student of economics. I have a general sense of how and why things work, but I am by no means an expert. I bought this book because I wanted to understand more about monetary policy. I now understand more about monetary policy. So, I am very satisfied in that respect. Of course, the book leaves me with a lot of questions, but I think that is probably an accurate reflection of the world at large.As the title indicates, I never would have thought that a book on monetary policy would be so interesting. I mean-come on-monetary policy...not exactly a thrill a minute subject. But, Dr. Friedman's genius is that he links the nuts and bolts of monetary theory to a story-showing how and why things went the way they did-and most importantly, showing why monetary policy is SO critical. As with "Capitalism and Freedom" Dr. Friedman explains difficult concepts to the common person without watering them down-and without talking down to them.I would NOT recommend this book as a starting point for a study of economics. If that is what you are considering-better start somewhere else and come back here. But, if you have a basic background in economics PLEASE read this book.

By "challenging" I do not mean that this book challenged my beliefs or that I disagreed with it; I mean that I found parts of chapters 2 and 3 hard to understand at first and had to re-read them before I felt I was on solid ground. This is not a first book on Economics; it's a serious treatise on monetary theory and history. Chapter 4 is a technical "what if" scenario looking back at our silver policy; some readers may want to skip it, as the author suggests. I found later chapters perfectly understandable.(For an easier read on general Economics I recommend Basic Economics 4th Ed: A Common Sense Guide to the Economy (excellent!) and From Here to Economy: A Shortcut to Economic Literacy --those books have no equations or charts. They are for everybody, as their titles suggest.)I learned a lot, a great feeling. This also reinforced things I learned from Basic Economics. If you decide that you can't "hang in there," I urge you to at least include the brilliant five-page epilogue in your reading before giving up; it should be within the grasp of most readers.Just as shortages and surpluses are always price phenomena, "Inflation is always and everywhere a monetary phenomenon." We've known that for over a thousand years. So why do authorities keep bungling monetary policy? See the epilogue.

Milton Friedman has cleared up the question for me as to "What is money?" It is whatever a nation wants it to be. Some like gold, some like silver, and now ours likes printed "greenbacks". Friedman outlines the positives and negatives of each standard and gives us a hint of where a nation might end up if they print too much "money". It may not be a new book, but there are more than a few politicians that need to study this book to understand what they are voting for or against!

Every time I tried to check out this book at our local library, I was put on the waiting list for it to return. I got tired waiting to read the book, so I checked Amazon.com, and sure enough, it was available at a really good price. The book is boring at the start, but as you get into the text , you could see through the mist to find an amazing treatise on world fiscal policy. This book should be required reading by all.

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Minggu, 29 Mei 2011

PDF Download The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation, by Bill Morgan

PDF Download The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation, by Bill Morgan

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The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation, by Bill Morgan

The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation, by Bill Morgan


The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation, by Bill Morgan


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The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation, by Bill Morgan

From Publishers Weekly

The title of this not-so-rough guide to the mid-century social circle, of which Allen Ginsberg was the center, is taken from the poet's Footnote to Howl. For Morgan, Ginsberg was the locomotive for the group of journeyers, addicts, loiterers, and seekers that came to be known, in Jack Kerouac's term, as beats and who would act as catalyst for the late 1950s beatniks as well as the social movements of the 1960s. As Morgan points out, this was a boys' club—the combustible William Burroughs, murderer Lucien Carr, the charismatic bisexual Neal Cassady, the incorrigible Gregory Corso, Peter Orlovsky, Gary Snyder, and others more on the fringe, like Ken Kesey—and a white one at that. In part, such could be explained by the zeitgeist, in which even (largely gay) revolutionaries were unconscious participant-prisoners. The infamous and essential On the Road manuscript consisted of attached papers fed through Kerouac's typewriter like a roll of paper in an early word processor printer, and bravely promoted by agent Sterling Lord, represents for Morgan (in a bit of a stretch) how far ahead of their time the beats were. Although Ginsberg biographer Morgan cannot deliver a firsthand account of the beat history, readers do gain some immediacy regarding the legendary lives and loves of this motley crew that changed the world. (May 11) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Morgan brings a productive career of chronicling the mid-twentieth-century writers known as the Beats to a fine point with this thorough popular history that eschews criticism to concentrate on who was where, doing what, when. If you weren’t a friend of Allen Ginsberg’s, you weren’t a Beat, Morgan says, which means that the first Beat, Lucien Carr, was never a writer. Carr’s good looks attracted Columbia freshman Ginsberg, not yet a self-accepting homosexual, and his affability led him to introduce Ginsberg to William Burroughs and Jack Kerouac, the other essential Beats. The basic trio pulled other aspiring authors as well as artists, thieves, and con men into their ambit as, during 1944–59, all the trials, travels, and travail that eventuated in the three holy books of Beat—Ginsberg’s Howl and Other Poems, Kerouac’s On the Road, and Burroughs’ Naked Lunch—transpired, Gregory Corso and Gary Snyder became second-tier Beats (Snyder proved crucial because, while never involved in the others’ sexual and pharmaceutical adventures, he set the example for Ginsberg’s very influential later turns toward Buddhism and ecology), and Kerouac separated himself via the bottle. Kerouac’s 1969 death is often considered the end of the Beat generation, though his opinion was that that happened in 1949. Though by no means stylishly written, this must be regarded as the just-the-facts-ma’am basic text on the most important literary phenomenon of post-WWII America. --Ray Olson

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Product details

Hardcover: 320 pages

Publisher: Atria Books; 1st edition (May 11, 2010)

Language: English

ISBN-10: 1416592423

ISBN-13: 978-1416592426

Product Dimensions:

6.2 x 1.2 x 9.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#375,829 in Books (See Top 100 in Books)

The dynamics of the three main writers of the Beat Generation, Allen Ginsburg, William Burroughs and Jack Kerouac is explored in one of the best overall views of writers and artists that shaped America in the 1950's and 60's. The three are the main thrust of the book, but not the only perspectives in this book. I have read several biographies of the Beats and think this is a comprehensive book. It brings people like Lucien Carr and Diana Di Prima into a generation of writers. It is more a historical account of what transformed several friends into an art movement. Ginsburg emerges as the hero of the Beats. He is a catalyst in organizing and promoting, not just his writing, but several of the other writers. The journeys of Kerouac and Burroughs are lengthy, dark and well chronicled by Morgan. There is a telling tale at the end of the book and somewhat opinionated by the author that the three main writers were somewhat hypocritical and exceedingly self-centered, which is true, but what they contributed is documented in a good read.

Tremendous reading. Best beatnick book ever. A must read if one is a beat lover. Simple, enjoyable and thorough. A must read.

Details and actual flavor of the time and place. Oh yes!

I have read better books than this dealing with the same subject matter - and I have also read a good deal worse books. The thing I did find refreshing was calling the Beats out on their many peccadillos. And the dismissive way that the main members of the "Beat Generation" treated the women in their lives. Some of the material felt recycled by the end of the book. However, it's a great start for the novices.

Good book.

Ego-centric, Seinfeld-like characters: boring and lazy people. The book is a boring tale of the beginning of the "me" generation.

Any book on the beats is bound to generate strong opinions on every aspect of the movement, excluding only the most undeniable facts (yes, Burroughs shot his wife in Mexico while playing William Tell; yes, J. Edgar Hoover thought the beats to be "one of the three greatest threats to American security," along with communists and "eggheads.") When did the Beat movement end? Kerouac thought the late 40s; some think it's still going. Who are the beats? Synder? Some say absolutely not, others say absolutely yes. Who wrote well and who didn't? Norman Mailer and Truman Capote crossed swords over that one, and people have been fencing ever since. If you are of the generation which produced the beats, or the one immediately following (as I am), tempers may flare even stronger.This book is a very enjoyable overview of the movement, concentrating on basic biographical details and choice bits of literary gossip. Unlike the subtitle, the history is not complete (is a history ever?) nor is it particularly shocking, given lives and times that followed. Morgan is in a special position to write such a book, given his impressive credentials as editor and archivist. Certain topics may be of particular interest: the position of women in the movement, for example, or the tormented life and politics of the later Kerouac, whose seminal On the Road reached its 50th birthday a few years back, (or the depiction of the highly underrated artistic ferment of the 40s and 50s which led to so much later.)The book follows a year-by-year format, discussing the activities of each "beat" during that period. We follow the vicissitudes of Burroughs, Ginsberg, Corso, Snyder, Kerouac, and others as they experience everything from yage to strict zen training to Buckley's Firing Line. At times the chronology is a little hidden (now just which year was this?) but an attentive reading clears the matter up. Analysis and criticism are at a minimum; the overview would preclude any in-depth discussion of literary merits or dissections, all of which are found in abundance elsewhere. By its communal approach, the book takes a position on the group as a whole: yes, it was a closely knit circle and Ginsberg was the driving force. The reader may disagree on this and everything else, but the point of view is a well-documented one.I met Ginsberg at a book-signing session in Laguna Beach shortly after his Collected Poems was published. He was older than when I last saw him at the Human Be-In and no longer dressed in white. "What do you do to afford this book?" he asked as he drew a flower, stars, sun, and moon in my hardback copy. I told him about my career as a composer and teacher and mentioned my student days at Berkeley. He asked about Seymour Shifrin, the distinguished composer who had been a classmate of his at Columbia. I told him briefly about my life-long compositional struggles and he listened attentively. As I left he said, "one has to break out of those chains." That remark has stayed with me ever since.I recommend The Typewriter is Holy as an entertaining, brief survey of one of the more remarkable currents in American arts. If you want to know more about Burroughs as psychotherapist or the origin of the collaboration "And the Hippos Were Boiled in Their Tanks," this is the book for you.

Author Bill Morgan explains in the Introduction that his intent is to construct a chronology of the "Beats" following the model of Susan Cheever's American Bloomsbury: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne, and Henry David Thoreau: Their Lives, Their Loves, Their Work. The plan is to show that the Beats, like the Transendentalists, had a major impact in changes in society and American thought.The chronology of what they did, where they traveled and when their works were written/published shows Alan Ginsburg as central to the group. While Ginsburg's centrality may be a matter of opinion, the book shows him at the heart of intra-group communication; He is always writing, visiting and encouraging his circle of friends. Ginzburg is constantly promoting Beat poetry, prose and people and seems to be the only one (outside of Gary Snyder who is mostly hiking in the woods or in a monastery in Japan) sober enough to do so.Morgan clearly loves and admires the Beats. He credits them with leading everything from the post-war societal changes to the development of the video montage. While Morgan does a good job of piecing together Beat chronology and demonstrating the centrality of Ginsburg, he doesn't meet his goal of showing how society was changed by the Beats. He shows that Ginsburg was a father of free form poetry and that Kerouac was a pioneer of the narrator/conversational novel and that Lawrence Ferlinghetti took a big risk that resulted in a landmark ruling on behalf of free speech, but the Beats' role in the larger societal changes is not well drawn. The last chapter discusses the Beats as a catalyst, but the same can be said for many other forces or issues of the times.Ironically, another point the book does prove is a quote from Beats detractor Richard Kimball (p. xiii) "They were drug-abusing sexual predators and infantilized narcissists..." The behavior of Jack Kerouac and Neal Cassidy towards their respective spouses and children is appalling and pales only to that of William Burroughs. Only Gary Snyder seems to be somewhat drug/alcohol be free. The Beats seem to be living in a state of perpetual childhood. They either can't or won't have paying jobs and if they don't participate in theft, they seem to find it acceptable. While some of them made great art, by and large, they appear to be the ultimate free-loaders.I recently saw Howl, a 2010 film covering the poem, its obscenity trial and Ginsburg's early life. It would have been best to have read this before rather than after. The film treats Ginsburg's romantic relationships in a much different way than they are shown in this book.This is a good contribution to the study of the Beats and their work. It's author has an interesting background as something like a free lance archivist for artists which, in itself, earns my respect.

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Rabu, 25 Mei 2011

Download PDF Teach Yourself Visually Access 2010

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Teach Yourself Visually Access 2010

From the Back Cover

Teach Yourself Visually Are you a visual learner? Do you prefer instructions that show you how to do something — and skip the long-winded explanations? If so, then this book is for you. Open it up and you'll find clear, step-by-step screen shots that show you how to tackle more than 185 Access 2010 tasks. Each task-based spread covers a single technique, sure to help you get up and running with Access 2010 in no time. You'll learn to: Create databases Build tables to store information Find and filter data Develop forms and reports Create queries Back up and repair a database Two-page lessons break big topics into bite-sized modules Succinct explanations walk you through step by step Full-color screen shots demonstrate each task Helpful sidebars offer practical tips and tricks

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About the Author

Faithe Wempen, M.A., is a Microsoft Office Specialist Master Instructor and the author of over 100 books on computer hardware and software, including the PowerPoint 2010 Bible, Microsoft Office 2010 for Seniors for Dummies, and A+ Certification Workbook for Dummies. Faithe is currently an adjunct instructor of computer information technology at IUPUI, where she teaches PC hardware and software architecture and A+ certification. Her online courses for corporate clients, including Hewlett Packard, Sony, and CNET, have educated over a quarter of a million students all over the world.

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Product details

Paperback: 352 pages

Publisher: Visual; 1 edition (May 10, 2010)

Language: English

ISBN-10: 0470577657

ISBN-13: 978-0470577653

Product Dimensions:

7.4 x 0.7 x 9.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#974,563 in Books (See Top 100 in Books)

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A friend is teaching Word to GED students by using this same series so I decided to give it a try as I needed something basic and easy. This book is basic, but far from easy. The lessons jump around, starting with things as simple as how to x out of a program and then in the next step asking you to begin entering information in to a form you have yet to learn how to create or design. Whats more, the information they request you enter does not appear for another two pages. After flipping back and forth trying to keep up with what I'm doing and why, I am no closer to understanding how to create even a simple database. I'm not a fan of the Dummies books, but I may have to borrow a copy from the library to supplement this book.

I am only sorry that I discovered these "Teach Yourself Visually" books after I graduated! I have a B.A. in Economics and a major in math, so I'm no dummy, but I find that these "Visual" learning books are a really quick and effective way to learn, and a great supplement or substitute for your usual textbook-like instruction manuals. My computer-programmer boyfriend looked through this book and said he might read it to brush up! I have bought every TYV book I could possibly use, and have found all of them to be helpful. They cover pretty advanced techniques and topics in the most simple way possible, and are very concise without sacrificing clarity. Recommend.

Love these "Visually" how to books. Have been using them for years. Quick info, detailed "screen shots". Have them for Word, Access, Excel, Power Point, Windows 7, Windows Vista, AND Windows 10 is on order as I write. Actually quicker than surfing through the Office community pages, and other sources looking for answers from other users or surfing the entire Microsoft website looking for an answer to your question(s). GREAT tools! I highly recommend them all.

The pictures are nice and the layout makes it easy to find exactly what function you want to find. But, it jumps right in and says things like "Open the design view" and goes on to show a function but does not say which database you are to open the design view from! I'm five chapters in and giving up. There are no exercises to follow along with, just examples of how the different commands look if you know which database to open to begin with. I'm looking for something else!

I was recommended the Teach Yourself Visually book by a friend.I am computer savvy. I know all Microsoft office products but I needed a little more help with Access.This book would be so much better if it came with data files to help you. Otherwise, you have to create everything. It is very time consuming and it does not make my life any easier.

Not as good as I originally believed it to be. Ok for those are familiar with most of the Access functions and have worked with the program regularly in the past. But NOT for the beginner as some of the reviews claim...

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Teach Yourself Visually Access 2010 PDF

Teach Yourself Visually Access 2010 PDF

Teach Yourself Visually Access 2010 PDF
Teach Yourself Visually Access 2010 PDF